Page 6 - GENTLE GRASS by Anisuzzaman Faroque
P. 6

Introduction












                                                Gentle Grass a sculpture series presented here by Anisuzzaman
                                                Faroque takes a frozen form of unspoken poetry, like spontaneous
                                                melody they are free flowing. With a hard cold material: metal, he
                                                tried to portray a soft sensitivity like elevating a lone blade of grass to
                                                an icon. The mood of which can also be felt in the solid and delicate
                                                positioning in his charcoal drawings included in the book. This series
                                                tends to captivate that core element, like the piece ‘Underwater Iron
                                                Plant’ – the form deriving from sea-washed nature where Faroque’s
                                                formulative years were developed. In many stances, elongated limbs
                                                influenced by surrealistic style can be felt in his both organic and
                                                inorganic element pieces like, ‘Hanging Moon’ or ‘Very Complicated
                                                Chair’. Forms often take kinetic movement developing naturally, like
                                                ‘Flying Iron Wings I & II’: where limited material is fashioned to give
                                                a far bigger form. In some works, combination of metals are used to
                                                bring out the character of the piece, such collaborations are seen
                                                in few of the pieces like ‘Special Child I & II’ or ‘Orchid Flower in
                                                Bird’s Beak’. Another characteristic can be noticed in his various
                                                representation of grass, where instead of being presented in its full
                                                glory, torn and distorted blades of grass is magnified to capture its
                                                composition in the aftermath.

                                                This publication comes as a presentation from ARTcon as a facilitation
                                                to the promising journey of Anisuzzaman’s sincere and relentless
                                                search and efforts to establish in formulating his own unique forms,
                                                with the wishes for a long creative path.



                                                Arham ul Huq Chowdhury







                       Arham ul Huq Chowdhury
                       Environment and heritage practitioner / anthropologist / artist
                       and advisor to ARTcon.
                       Drawing, Charcoal on paper, 57 x 37 cm, 2022



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